thevents_mobile

Music theatre

THE EVENTS

David Greig

96'

From to

Description

The Events, world-class Scottish playwright David Greig’s great play with music and lyrics by John Browne, comes to GNO TV, the new web TV of the Greek National Opera. The performance is a co-production of the GNO Alternative Stage with nine Municipal and Regional Theatres of Greece and it will be available on nationalopera.gr/GNOTV/en until 13 May 2021.

The Events is a political work exploring the rise of the extreme right, neo-fascism and xenophobia through an attempt to approach the “beast” itself. The work features amateur choirs. Inspired by the massacre of 69 people by Anders Breivik in 2011 in Norway, it attempts to grasp the unthinkable and explore the limits of forgiveness in the face of monstrosity. The production is stage directed by Alexander Raptotasios, who also translated the play into Greek; the musical direction, choir coaching and adaptation of music and lyrics is by Konstantinos Thomaidis.

The production was initially scheduled to tour nine Municipal and Regional Theatres across Greece with the participation of a total of 21 local choirs, but, due to the pandemic, the tour was suspended. The production was filmed on the Alternative Stage in December 2020 with the participation of the Piraeus Vocal Ensemble Libro Coro.

The collaboration of a state arts organisation with such a large number of regional theatres, on the basis of a partnership of equals, is a significant initiative, which brings out the potential for synergies between organisations of the centre and the periphery. In the case of The Events, the participation of local choirs reinforces even more the venture’s essence while highlighting its political dimension. In recent years, the GNO Alternative Stage has developed a number of collaborations with regional organisations, in an effort to enhance artistic dialogue.

The Events are presented for a second time in Greece, while the show’s tour across the country with the participation of local choirs has been rescheduled for the near future – according to the intention of the writer and the rest of the creators of the first performance.

The work was commissioned by the Actors Touring Company and was first performed at the Traverse Theatre in Edinburgh (Fringe Festival 2013), directed by Ramin Gray. It received raving reviews and was labeled as an important, groundbreaking work. Its premiere was immediately followed by a two-year tour across Great Britain, and later on it was presented at theatres all over Europe and in New York.

The set was designed by Dimos Klimenof in collaboration with the director and in line with the preventive measures against COVID-19, and its goal is to have the local choirs placed on stage as a reflection of the audience, while the actors are conducting a workshop about events, memories and ideologies between them. In the same context, Eliza Alexandropoulou designed the lighting, exploring what unites us, what moves us from individuality to togetherness. The costumes are designed by Marie-Cécile Inglesi.

Filmed on the GNO Alternative Stage at the SNFCC on 11 December 2020. With Greek and English subtitles.

The production and GNO TV are made possible by a grant from the Stavros Niarchos Foundation (SNF) [www.SNF.org] to enhance the Greek National Opera’s artistic outreach.

Trailer

At a glance – Synopsis

Claire, a teacher running a local amateur choir consisting of immigrants and people from socially vulnerable groups in her spare time, believes that there is an explanation about what is going on in the world. One day, an armed young local man barges into her rehearsal room and starts shooting. Claire will be the only survivor and the only thing she wants to do is understand why this happened.

Creative team – Cast

Playwright David Greig
Music, lyrics John Browne

Greek translation, director, set supervision Alexander Raptotasios
Musical direction, choir coach, music & lyrics adaptation Konstantinos Thomaidis
Costume designer Marie-Cécile Inglesi
Lighting designer Eliza Alexandropoulou
Soundscapes Alexandros Drymonitis
Choirs coordinator Anna Efthymiou
Set design consultant Dimos Klimenof
Production manager Lefteris Kotsis

Claire Maria Kechagioglou
The Boy Konstantinos Bibis

Markos Kotsias (piano)

With the participation of the Piraeus Vocal Ensemble Libro Coro
Choir leader Anthi Gouroudi

Video recording, TV director, editing Xenofon Vardaros

A co-production of the Greek National Opera with the Municipal and Regional Theatres of Corfu, Ioannina, Kozani, Serres, Crete, Komotini, Kalamata, Agrinio, the Theatre of Thessaly and Ferodo Bridges

First production by the Actors Touring Company in collaboration with director Ramin Gray

Director's note

A real choir is on the stage, unsuspecting of the content of the performance that is about to follow. Everyday people, volunteers, citizens, pensioners, a multitude who appears, sings, and remains on the stage, as a witness of the events. Opposite them is the audience, co-responsible, part of the “stage negotiation”, almost like a mirror to the choir. Between them, two actors trying to find out what led a young man murder a whole choir consisting of “the others”. In front of our eyes they attempt a public anatomy of the rise of the extreme right, following the model of ancient tragedy: two actors and the choir. Only that here, the choirs is unsuspecting, a part of the local community, and it changes every evening. Local choirs from Athens, Piraeus, Ioannina, Larissa, Corfu, Crete, Serres, Kozani, Kalamata, Chania, Heraklion and Agrinio –cities which have recently received large populations of refugees– create a new choirs every evening. When I set out on this venture two years ago with Konstantinos Thomaidis, I was convinced that to create something meaningful, we would have to involve regional choirs, organisations and audiences, people who are directly concerned about this issue, in their daily lives, people who may not agree with each other. Just like in my previous projects, I am interested in creating a true encounter during the performance, and that is why I am fascinated by this work which, from the start, makes every performance –every evening– different and unpredictable. I am not interested in making theatre just to express my opinion or just to go out there and simply denounce or praise something. We live in times of extreme polarisation, where we refuse to listen to different opinions while we shut ourselves in virtual realities repeating the views we already agree with. Many times, theatre does exactly the same thing. The point, to me, is to recognise the contradictions and the issues we face today as a society, and to develop a public dialogue about all this through theatre.

— Alexander Raptotasios

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